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Tonight on GeekNights, Rym and Emily review Bojack Horseman. The critics are right, and this show is fantastic, if dark. It's definitely worth watching. The first season takes some episodes to hit its stride, season two is a perfect arc, and season three is a series of largely high-concept episodes.
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I'm always searching for a way to redeem Bojack but continue to get destroyed by the time the show ends. It was better in quality, slightly cleaner. Way better than previous recordings with Emily (maybe Emily's levels are better set?). Also Rym was less overwhelming.
braap! braap!
I didn't notice any issue with the audio. It sounds very good to me. If I was forced to say without listening to them back-to-back, I'd say it was better.
The template I've been using for a while was made in June 2014, which was a big improvement over the one I'd been using since late 2012. Instead of iterating like I have since I first threw it together for the new (at the time) Mackie mixer, last night I threw everything away and made an entirely new template from scratch, substantially simplifying the pipeline.
Our pipeline, in the old days, was very complex, and had a lot of scripted automation, nevermind a physical path through compressor inserts and noise gates and such. As of last night, it's basically all live effects against the raw audio input entirely within Audition. One bus for talking (vocal limiting on that one), an SFX channel, a bumper channel, a stinger channel. Separate per-person channels with custom racks all based on a simpler mastering profile. Deeper compression per-person (though not nearly so deep as the old days).
I could make it much more radio-like and heavy, but I kind of like it sounding more human and crisp than the traditional flat radio voice.