The Planet Money podcast
called Jonathan Coulton a Snuggie. He has written what he calls a
"peevish and whiney response," and points out that the Snuggie is in fact a derivative of the Slanket. I for one had always thought it was the other way around.
If I ever make it onto the JoCo cruise, I shall lounge by the pool in a Snuggie to show my support for his business model. (And I can't wait to use his blog post as reference fodder next time I have to write a paper on e-commerce.)
Comments
But JoCo is a Snuggie in the sense that he's simply taken a thing that already existed, reconfigured it slightly, and packaged it in a new way.
A Snuggie is a robe that you put on backwards. JoCo is a mish-mash of various artists that you could have heard on Dr. Demento way back when.
Not that there's anything necessarily wrong with that; I'm sure Snuggies are quite comfortable. And good on him for making shitloads of bank doing what he does. Let that be a lesson to aspiring musicians; just go put your shit on the web and market yourself. You can actually make money on it.
If music couldn't be derivative, we'd have run out of ideas shortly after the first set of Gregorian chants. (Or probably earlier, really.)
Sure, music has to be derivative. So does everything. I know that.
My point is that JoCo's music is not in the camp of "repackaged in a way that stands out." His music is entirely unremarkable. There's no reason to listen to him over, say, Weird Al, or other comedy music acts. In fact, I can think of better novelty musicians who get less attention than JoCo.
JoCo is remarkable because of the success of his distribution and marketing model. He is living proof that the record industry has absolutely no purpose in the modern world. If everyone did derivative and boring music like JoCo, and then turned to the Internet for distribution, you'd annihilate the RIAA in record time.
It's actually that I really really really don't like Weird Al, and JoCo is so close to that thing that my dislike of Weird Al bleeds over. On top of the individual dislike of JoCo, that is. Yeah, I've listened to those, and I just don't feel it. Still sounds forced to me.
(Rush and Weird Al are some of my fav's and Kansas and JoCo are pretty good as well.) The Weird Al concert I went to was one of the most enjoyable I've ever been too, that man can perform.
EDIT: And I somewhat agree about Rush and Kansas. I dig Rush, but other bands around that same time were better.
Spageddy Lee is unamused.
Also, Led Zeppelin sucks.
God, I forgot there is a reason I don't pay attention to your musical tastes, Pete.
/Big fan of 60-80's rock. Pete likes to crap all over it.
//Must not RESPOND... must not...
/// YOU are going to love the Music selection at my wedding Pete..
I like Weird Al too. Enjoyed both of his shows that I've been to (unfortunately both were from the same tour, Straight Outta Linwood in two consecutive years). And I loved Dr Demento when I could catch him on the radio, but his current business model (unlike JoCo's) discourages me from listening to him.
I primarily rail against the worship of older rock and the corresponding denigration of modern music. Again, like JoCo said, music fans today have it better than music fans have ever had it. We have access to a greater diversity and variety of music than has ever been had before, and this directly contributes to the intense innovation that exists across nearly every genre of music.
It also means we'll be getting more Rebecca Blacks, but hey, you take the bad with the good.
Long answer: hell no. My rage has been replaced by love.